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File:Purcell diatonic chromaticism.png|thumb|350px|right|Melodies can be based on a diatonic scale and maintain its tonal characteristics but contain many accidentals, up to all twelve tones of the chromatic scale, such as the opening of Henry Purcell's ''Thy Hand, Belinda'', ''Dido and Aeneas'' (1689) (, with figured bass), which features eleven of twelve pitches while chromatically descending by half steps,Benward & Saker (2003). ''Music: In Theory and Practice'', Vol. I, p.38. Seventh Edition. . the missing pitch being sung later. File:Bartok - Music mov. I fugue subject chromatic.png|thumb|350px|right|Béla Bartók - ''Music for Strings, Percussion and Celesta'', mov. I, fugue subject (music)|subject: chromatic .Ton de...
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